Drama is the
branch of literature and as a piece or unit of poetry is called a poem,
similarly when we choose a single unit of drama, it s known as play. The
development of drama is in logic order, in cycles and it originates from four
types of plays. First liturgical plays introduced, so called from their being
an extension of the liturgy or church service.
Mystery Plays
Mystery plays were
evolved out of liturgical drama. Mystery plays were based on the Bible and were
particularly concerned with the stories of man’s creation, fall and redemption.
In mystery plays the Biblical stories were beaten a lot, the actors were the priests
themselves and it had been held under the complete control of the church. They
did not know that what the drama, plot and events are; they would have to
perform only.
- The method of mystery plays
Some 12 person
would go on the stage out of those 12 persons one was being chosen as the
representative of the others. They would sing a choric hymn (A song in praise of
a God or hero) with mime (A form of drama in which actors tell a story by
gestures) which his called ‘Dithyramb’. It was a goat song in which sacrifice of
a goat was being given to please God Dionysus.
The ideas, ideologies,
problems, necessities, beliefs of the Greeks were common and same. The y could
not afford the luxuries or the pleasures of life and they were serious in their
real life, therefore, in the beginning all the writers created the tragic stories.
First English tragedy was ‘Gorboduc’ which was written by the Chancelor ‘Sackville’
and a lawyer ‘Norton’; that was the story of struggle, to get the place of
king; by a father and two sons; sons were Ferrex and Porrex, they killed their
father and they were killed by the mother.
Miracle Plays
There is little difference
between Mystery plays and Miracle plays. Mystery plays were based on Biblical
episodes and Miracle plays were based on the lives of holy people and legends of
saints. In those early plays action was in little and those were based on
narration. Blank verse was used (Unrhymed Iambic Pentameter).
Thespis was the
first person who introduced 13th man as a fulfilled actor and he
himself acted on the stage with the permission of God. Although the song was
sung by 12 people, there were also the feelings, expressions of others,
therefore, they thought that the duration of the song must be increased and
some other addition should be made in the praise of God of agriculture.
Morality Plays
Morality plays
were allegory representation of vice and virtue. These were of seriocomic type.
The character of vice in these plays later on developed to the character of villain.
The dramatic origins of morality plays are to be found in the Mystery and
Miracle plays of the later middle ages.
Human nature is
not always in serious mood; therefore, they felt the comic character or the
amusement. The writer ‘Phrynicos’ introduced little bit change element. In
essence, a morality play was a dramatization of t he battle between the forces of
good and evil in the human soul; thus, an exteriozation of the inward spiritual
struggle.
Interludes Plays
Interlude was a
short dramatic piece. It was satiristic nature, not basically ethical in
nature, laughter was produced in interludes. ‘Aristophanes’ introduced comic element.
Aeschylus produces the 14th character
in the group and he himself acted as the 14th character. The social
problems were introduced through Interludes and comedy was also developed from
Interludes. Interludes can be called as the modified form of Morality plays. Interludes
were produced in the 16th.C. and this form is closely associated
with the name of John Heywood.
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